AUTUMN......

“Her pleasure in the walk must arise from the exercise and the day, from the view of the last smiles of the year upon the tawny leaves and withered hedges, and from repeating to herself some few of the thousand poetical descriptions extant of autumn--that season of peculiar and inexhaustible influence on the mind of taste and tenderness--that season which has drawn from every poet worthy of being read some attempt at description, or some lines of feeling.”

 Jane Austen, Persuasion

JEWELRY PHOTOGRAPHY

Everyone knows that photography is a form of art made possible by light. If there is no light, art photography cannot come to life. Light is the essense of photography.
There are different lighting techniques used,- side lighting, front lighting, use of available natural light, direct lighting, diffused lighting and spot lighting.  Each of this technique yields different effects. You can see in this example, that  fine details are important, and you need to know how the light is working . I am talking about modern fashion classy look . You need  capture the beautiful feeling of the jewelry, to show the clarity of colours and lighting.  And when you will hear " I wanna buy what she's wearing! " , - it's gorgeous ! You sold it ! Nice job featuring a product  :))))

   

ANNA EASTEDEN

http://www.annaeasteden.com/

Anna Easteden enjoys a career rich in experience and wide in range as an international model, TV, stage and screen actress, and humanitarian activist.
Easteden is known for her performance as Bee Sting on “Who Wants to Be a Superhero?” as well as notable co-starring roles on “Bones,” “Days Of Our Lives” and “Passions.” She also played Nicole Brown Simpson in a Japanese TV movie and took on a lead role in the short film “Harmless,” winner of 2 prestigious film festival awards.
Personally recruited by multi-award winning director Mika Kaurismaki (who’s directed the likes of Johnny Depp, Julie Delpy and Henry Thomas), Easteden is slated to star in his upcoming feature film “The House of Branching Love” (“Haarautuvan Rakkauden Talo”) set for release in her native Finland in Fall 2009. Easteden will also work alongside Oscar® nominee Rinko Kikuchi (“Babel”) in the Japanese remake of the Oscar®-winning American phenomenon “Sideways” – currently in post-production for a 2009 release.
Easteden was born in Finland and raised on her parents’ dairy farm. At the early age of twelve, Anna’s career took its first major stride when she won a national modeling contest and appeared on her first Finnish magazine cover. Shortly thereafter, Anna received an international modeling contract with a major Japanese modeling agency and promptly relocated to Tokyo where she appeared in advertising campaigns for such mammoth international corporations as Sony, Phillips, Oricom and Wacoal – to name a few.
Easteden’s modeling career next swept her off to such global destinations as Hong Kong, Taiwan, Korea, Singapore, Malaysia, Indonesia, New Zealand, Slovakia, Guam and finally the United States. Once on US soil, Easteden quickly landed a series of major modeling gigs with Calvin Klein, Hermès, Salvatore Ferragamo, Diesel, T-Mobile, Avon, Jockey, Chevy and Nissan – and has been featured in such magazines as Cosmopolitan, Harper’s Bazaar and Marie Claire. Easteden’s interests also include those in the humanitarian arena. Not something one might expect from a fashion model, Easteden conducted a comparative legal research study on the different aspects of asylum procedures in selected European countries for United Nations High Commissioner for Refugees (UNHCR) in Bratislava, Slovakia. Her research impacted the Slovak National Asylum Legislation, which was in the process of amendment. Anna then continued her work in Bratislava, with an international partner of The Foundation for a Civil Society (USA), where she involved herself in the “Citizen Campaign OK ’98″ for free and fair elections.
Easteden currently resides in Los Angeles with her husband. In addition to her modeling and acting, Easteden enjoys traveling, cooking, writing, and lending a humanitarian hand to a number of her favorite non-profit organizations.

https://www.facebook.com/media/set/?set=a.222928661142219.37611.212160968885655&type=3

"Child of light " and "Child of darkness"

 
"In a profound sense every man has two halves to his being; he is not one person so much as two persons trying to act in unison.  I believe that in the heart of each human being there is something which I can only describe as a "child of darkness" who is equal and complementary to the more obvious "child of light "

Laurens van der Post

    DMITRY SAVCHENKO ART PHOTOGRAPHY

Los Angeles, Art Photography, Celebrity Photoshoots, Fashion, Jewelry, Hollywood Actresses, Opera   Singers, Ballet, Theatres, Galleries

http://www.dmitrysavchenkoartphotography.com/

HIGH-KEY LIGHTING

From Wikipedia, the free encyclopedia

http://en.wikipedia.org/wiki/High-key_lighting

High-key lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios, but now is used to suggest an upbeat mood. It is often used in sitcoms and comedies. High-key lighting is usually quite homogeneous and free from dark shadows. The terminology comes from the key light (main light).[citation needed]

In the 1950s and 1960s, high-key lighting was achieved through multiple light sources lighting a scene—usually using three fixtures per person (left, right, and central) —which resulted in a uniform lighting pattern with very little modeling. Nowadays, multiple hot light sources are substituted by much more efficient fluorescent soft lights which provide a similar effect.

The advantage to high-key lighting is that it doesn't require adjustment for each scene which allows the production to complete the shooting in hours instead of days. The primary drawback is that high-key lighting fails to add meaning or drama by lighting certain parts more prominently than others.

Most recently, shows with bigger budgets moved away from high-key lighting by using lighting set-ups different from the standard three-point lighting. Part of the reason for this is the advent of new lighting fixtures  which are easier to use and quicker to set up. Another reason is the growing sophistication of the audience for TV programs and the need to differentiate.

The term "high-key" has found its way from cinema into more widespread usage, for example referring to an event that requires much organization or is subject to a great deal of publicity

LOW-KEY LIGHTING

   

From Wikipedia, the free encyclopedia
http://en.wikipedia.org/wiki/Low-key_lighting

Low-key lighting is a style of lighting for photography, film or television. It is a necessary element in creating a chiaroscuro effect. Traditional photographic lighting, three-point lighting uses a key light, a fill light, and a back light for illumination. Low-key lighting often uses only one key light, optionally controlled with a fill light or a simple reflector.
Low key light accentuates the contours of an object by throwing areas into shade while a fill light or reflector may illuminate the shadow areas to control contrast. The relative strength of key-to-fill, known as the lighting ratio, can be measured using a light meter. Low key lighting has a higher lighting ratio, e.g. 8:1, than high-key lighting, which can approach 1:1.

The term "low key" is used in cinematography to refer to any scene with a high lighting ratio, especially if there is a predominance of shadowy areas. It tends to heighten the sense of alienation felt by the viewer, hence is commonly used in film noir and horror genres.

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